Showing posts with label Crayon Fields. Show all posts
Showing posts with label Crayon Fields. Show all posts

Tuesday, October 18, 2011

ICE BATH



MP3: Geoffrey O'Connor - So Sorry (Chet Faker remix)

Geoffrey O'Connor's debut solo album, Vanity Is Forever, really capitalises on the potential he's always had to sound breathy and sensual, but this remix - from fellow Melburnian Chet Faker - explores a different aspect of romantic song. Chet Faker takes the original's noir-ish '80s pop-rock forward ten years in time and, in the best possible way, evokes the particular brand of downtempo sensuality made popular by the Cafe Del Mar series. It's brilliant to hear those cold, dubby beats used like this, full of glitches and imperfections, underneath O'Connor's super-sensitive lyrics. Vanity Is Forever is out now through Chapter.

facebook / soundcloud / label

Wednesday, July 27, 2011

SO COLD



MP3: Geoffrey O’Connor – Whatever Gets Me To You

Real great post-80s romanticism on this jam from Crayon Fields frontman Geoffrey O’Connor , who’s dropping his solo debut Vanity Is Forever on September 27. It seems kind of improbable that Geoff is so into this vibe of 70s & 80s seduction anthems, with their ultra-dramatic string sections and robotic synths; he’s got such a sweet, naive sounding voice, but I guess the proof is in the slinky, sensual result.

(via p4k)

bandcamp / facebook / label

Wednesday, September 15, 2010

SMALL TOUCHES




Following on from frontman Geoffrey O'Connor's debut solo track Now and Then, this cover of the classic Roxette jam - available on the band's US tour EP Make Peace With Love - is wistful and dreamy and, appropriately for the subject matter, burdened with regret almost to the point of inertia. Don't wanna "diss" the original: it really is a classic, particularly if you enjoy karaoke; but the slow tempo of this cover seems more fitting  when you consider the ennui-laden, chin-scratchy, frankly unmotivated lyrics. "It must have been love / but it's over now." Listless and melancholic is how this track was meant to sound.

U.S. FRIENDS: Crayon Fields are hitting your towns soon; find the dates (and a free download of this EP!) on their Bandcamp.

[Crayon Fields MySpace / Facebook]

Wednesday, September 01, 2010

COLD WAVES




Pretty amazing turnaround for our boy Geoffrey O'Connor here: he's best-known, of course, as the pop maestro behind indie superstars Crayon Fields, and his last solo album - as Sly Hats - sounded exactly like what you'd expect from the solo project of the Crayon Fields' indie pop maestro. Nothing wrong with that! It was an excellent album. But this is DIFFERENT, and INTERESTING (neither of those are euphemisms): instead of warm, acoustic tones and references to '60s guitar pop, we've got the cool emotional ambiguity of '80s stadium-fillers. It's a totally surprising move, ditching the Zombies for Spandau Ballet, and it surprisingly works: the sombre pace and crystalline guitars sound kind of perfect underneath Geoff's voice. He still can't not be sweetly emotive, but this new sound pallet lends a dreamy melancholy that's tough to get out of your head.

[Geoffrey O'Connor MySpace / Facebook]

[Geoffrey O'Connor out 2011 through Chapter Music]

Wednesday, February 24, 2010

NEW CRAYON FIELDS VIDEO



New vid from these ace Melbourne popsters. Totally into the whole melodramatic Dario Argento vibe crossed with suave disinterest from the band here. If you're in America, you get to see them doing this live (minus plants and blood and projection screen) soon. Check out the deets below:

Sunday March 14
Los Angeles, CA - The Echo, from 12pm
Aussie BBQ showcase

Saturday March 20
Austin, TX - Maggie Maes, from 12pm
Aussie BBQ showcase

Saturday March 20
Austin, TX - Mi Casa Cantina, from 7pm
Official SXSW showcase

Tuesday March 23
Williamsburg, NY - Bruar Falls, from 8pm
with Richard Davies, Kath Bloom and Guy Blackman

Wednesday March 24
Brooklyn, NY - Sycamore, from 9pm

Thursday March 25
Brooklyn, NY - The Bell House, from 6pm
Aussie BBQ showcase

Friday March 26
Manhattan, NY - Pianos, from 8pm
with Yawn + TBA

Sunday March 28
Los Angeles, CA - Echo Curio, from 3pm
with Guy Blackman + TBA

[Crayon Fields MySpace]

Monday, December 14, 2009

TOP 10 AUSTRALIAN ALBUMS '09



A little while back, our pal Georgia at Microphone Memory Emotion asked me how we find the "crazy stuff" we post about on Rose Quartz. I guess it'd be tough blogging from Brooklyn, where everyone's no more than 30 seconds away from tweeting about the next massive thing, but here in Sydney it's a lot easier to find and post about a heap of cool shit that isn't already saturating the Hype Machine (totally selfish, I know!). Anyway, here are my top ten albums by Australian bands this year. Shout outs go to Love of Diagrams, Brain Children, Curse ov Dialect and Pimmon. Here are the ones that edged them out:



1. Mum Smokes - Easy/House Music
sample track: Left For Dead

Two true things about bands: 1. No matter how good the band is, double albums usually suck. 2. Tense band dynamics often make for great music. In the case of Easy & House Music, the latter fact clearly won out (and not just because this release's double album status is arguable): having thrashed it out privately for nearly four years, Mum Smokes put out the record, played a half dozen shows and disappeared again. There are supergroups that sound like (and usually are) a bunch of famous bros riffing around and selling the results for squillions of dollars, but Mum Smokes' immensely talented members have instead painstakingly hammered out a record that won't make them wealthy but is actually really fucking excellent. This shit sounds like golden afternoons in suburban backyards, '90s pool parties, the best bits of growing up. Genius.

[MySpace / buy]

2. Crayon Fields - All The Pleasures of The World
sample track: Mirror Ball

We've had a crush on Crayon Fields for aaaaaages, but this album is their best yet. The songcraft and superior turn of phrase displayed on 2006's Animal Bells is maintained but with added - I don't know? Groove? Swagger? Maybe, if it's possible to swagger humbly. Mirror Ball perfectly captures the vintage R&B vibe that permeates this record, warm and compelling, enigmatic but inviting.

[MySpace / buy]


3. Grand Salvo - Soil Creatures
sample track: Needles

There's probably a lot of singer-songwriters who like to think of themselves as poets, but Grand Salvo's Paddy Mann could actually lay claim to the title, if he was pretentious enough to go around laying claims to titles. Which he's not. This exceptionally beautiful album is rich with melody, flawlessly produced and packaged, but it's Paddy Mann's lyrics that stand out the most. They're tender and heartbreaking, enigmatic but still comforting.

[MySpace / buy]


4. Leader Cheetah - The Sunspot Letters
sample track: The Explorer

Pretty much an instant classic, this. It's amazing to think it's a debut record: critics often use the word 'assured' as a substitute for 'slick production' but Leader Cheetah really sound like they know exactly what they're fucking doing. The Sunspot Letters is an amazingly consistent, classy blend of some seriously enjoyable influences, and the distinguishing feature is that it's a blend rather than a genre-hopping mishmash. There's surf guitars and stadium-sized drums and they're hammering out early Neil Young-style ballads that are driving and kind of intoxicating and always a little tragic, and that's the vibe: it's an album, y'all. The Explorer was apparently inspired by Sultans Of Swing; choice, no?

[MySpace / buy]

5. St Helens - Heavy Profession
sample track: Get Up

Total heroin chic romantic junkie fuck-ups, but not in a disgusting vomitacious '90s Seattle way, more '70s New York with its careening new wave soundtrack and poetry that's actually kinda great. I used to be lukewarm on this but now I think it's rad.

[MySpace / buy]

6. Kid Sam - Kid Sam
sample track: We're Mostly Made Of Water

At the start of 2009 no one had heard of Kid Sam or their label, Two Bright Lakes, but their self-titled album turned out to be a complete left-field gem. Swinging from epicly heartbreaking ditties like We're Mostly Made Of Water to strutting, lo-fi, Chad VanGaalen-esque indie rock jams elsewhere on the record, it's sort of amazing how right two cousins from rural Victoria could get it in just one album.

[MySpace / buy]

7. The Twerps - The Twerps
sample track: Dance Alone

They've been calling it an EP, but it's nine tracks long, and in the grey zone that is record categorisation I call that an album. The way this record sounds is amazing: it's total bubblegum pop but filtered through the garage and sung with a sneer. Better yet, though, the songs are great too - like a 1950s dancehall band playing punk rock, and with some pretty hilarious lyrics.

[MySpace / buy]

8. Decoder Ring - They Blind The Stars, And The Wild Team
sample track: Beat The Twilight

I used to think Decoder Ring were boring, but this album's amazing, spaced out-yet-muscular kraut-rock vibes and lush production made me realise I was heaps wrong.

[MySpace / buy]

9. No Through Road - Winner.
sample track: Berlin Wall

Earlier this year, I wrote about Winner.'s lead single, Party To Survive, that it's what you'd play if you wanted a party to be ridiculously memorable. That vibe is spread liberally throughout the record: it's anthemic, but in a fun kinda way; euphoric, with moments of pathos; and all of it - whether the subject matter is girls or partying - totally heartfelt.

[MySpace / buy]

10. HTRK - Marry Me Tonight
sample track: Ha

It was made in the same year and Marry Me Tonight is how I'd hoped The Devastations' Yes U would turn out. That record, like this, was dark, sleazy & hypnotic, but inconsistent and poorly written. Marry Me Tonight doesn't have such problems. It's thrillingly paced and perfectly produced, both of which factors are essential for a band who are as much about delivery as content. It's lucky HTRK have both.

[MySpace / buy]

Sunday, October 25, 2009

NORTHERN AUTUMN/SOUTHERN SPRING


We're getting to the business end of the season(s) now, it's true, but just for kix here's a compilation of tunes new and old to enrich and enhance your experiences in these ultra-poetic quarters. Autumn got a lot of nostalgic connotations or whatever but right now Spring in the southern hemisphere has a similar vibe, all cold and wet and turtleneck-justifying.


1. Crayon Fields - Mirror Ball
2. Christmas Island - Black Cloud
3. Karl Blau - Dark Sedan
4. Need New Body - Tuthmosis
5. Arthur Russell - Come To Life
6. Navajo Bixby - Moonlighting
7. Chet Baker - I Fall In Love Too Easily
8. Au - Ida Walked Away
9. Washed Out - You Will Be Sad
10. Faux Pas - Rose Lament (Gadget Edit)
11. The Twerps - Dance Alone
12. Heather Woods Broderick - From The Ground
13. Aaron Martin - Lightning In Meadow Grass
14. Nico - I'm Not Saying

[Earlier RQ mixes]

Thursday, July 16, 2009

THUNDER APPLAUDS


The new Crayon Fields single starts with a mental drum 'n' bass riff. BUT NOT LIKE THAT! (Note to Geoff O'Connor: Roni Size probably has some free time these days. Poss. collab??!?) It's actually more of that classic neat '60s R&B sound they started messing with on Mirror Ball, the gentle, doo-wop gem that came out late last year. But like The Big Bopper's 'Chantilly Lace', this is some dirty shit dressed up as wholesome ballad and in certain circles will be THE sex jam of '09. Exhibit A: "I mess up my collar / Just to feel you correct it". It's not gonna do much for fans of 'My Neck, My Back', but for a specific kind of person it's a perfect line for shuffling over to a girl in a vintage dress for an awkward slow-dance. I just hope Crayon Fields have the foresight to pack mops on their next tour to clean up the hormone explosion that WILL happen when they pull out the line "Thunder applauds us / As we neck in a doorway". PURE SLEAZE.

[Crayon Fields MySpace]

[All The Pleasures Of The World out September through Chapter Music]

Thursday, December 04, 2008

10 QUESTIONS WITH CRAYON FIELDS

Geoff O'Connor is the frontman in two excellent bands: Crayon Fields and Sly Hats. In almost every article written about him he is described as a "myopic boy genius", which is an unbelievably retardedly annoying description. Anyway, Geoff rules. We asked him 10 questions:

1. What's your thing?

Music.

2. Where do you see your thing in five years?
Hopefully in films.

3. When you're feeling playfully sophisticated yet nonchalant, do you put on a Crayon Fields album?
Definitely. You’d be a playfully sophisticated yet nonchalant fool not to.

4. Where were you specifically and what were you doing when Princess Diana died?
Never happened.

5. You're in two bands and you write all the songs for both of them. Do you ever feel like telling the other guys/girl to pull their weight?
Not really. I write the songs and then expect the others to come over and make them sound beautiful… and then they have drive me around to shows. I’m the slacker, really.

6. You're a really nice dude. When was the last time you lost it at someone, and why?
I spit and swear at my computer every day. My computer politely deals with so much human rage that it deserves to be declared legally alive, if that’s a good thing.

7. What don't you know?
I don’t know how to operate Paint Shop Pro.

8. What do you think about mainstream pop music these days? A lot of people think there's no one writing songs as good as Belinda Carlisle's "Leave a Light On" or Kim Wilde's "Kids In America", for example. Do you agree?
Yep! Though I only hear contemporary hits in taxis really, so it is hard to judge. That’s the thing with taxis, I guess, you get kicked out just as you're starting to get into it. I love “Leave A Light On” so much.

9. What's your favourite Australian album so far this year?
I love Guy Blackman’s Adult Baby even though I’ve heard it enough to be completely sick of it.

10. Give us 100 words of creative writing.
Without so much as glancing at her, Geoff finally whispered “Sure, you have 2 drinks to seduce me. You can fetch them.” Ingrid fumbled with her wallet, still unable to explain to herself why she was so drawn to the stranger. She could not even find enough to afford a drink for herself. How could the Queen of Sweden be left with only 3 gold coins? By tomorrow she could have the bar, even the whole street papered with Kroner. Frozen with desire, she tried desperately to imagine all the tennis players, actors and ballet dancers she’d made so jealous over the years but none could distract her. “Call the chauffeur…” she urged herself. “Leave while you can…"

[Crayon Fields MySpace]

[Mirror Ball 7” available Dec. ’08 on Chapter Records]

Sunday, November 23, 2008

MOSTLY IT'S YOU


This is the first taste of the Crayon Fields new album, All The Pleasures Of The World, due out next March and thank god we have the Crayon Fields to check in every now and then and remind everyone how to effectively deploy a tambourine. Fuck, sometimes these guys are just TOO good. There’s the perfectly double-tracked vocals, the world’s best ever guitar sound (FACT) and then, in the chorus, just when you’re starting to get a little worried about a fey overload, Geoff O’Connor drops a line like “I look at you and suddenly I’m a virgin”. OH, QUIT IT, GEOFF! I don’t know if I can listen to other bands anymore. Seriously, this song makes me wanna lower my desk chair, rest my head on the keyboard and pretend bad music never happened.



[Crayon Fields MySpace]

[Mirror Ball 7” available Dec. ’08 on Chapter Records]